TenPastTen is a quiet corner for old souls who love literature, poetry, good conversation, and above all, being a romantic.

1–2 minutes

reading

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Bruised

The sky thickens like bruised ink over the Gulf,

heavy and restless.

Clouds pile in dark towers,

swallowing the horizon where water meets air,

their bellies swollen with electric promise.

They roll forward, unhurried at first, then urgent,

swallowing the last thin light of afternoon.

Wind rises sharp from the south, carrying salt and heat,

whipping the surface into whitecaps that hiss and break.

It pushes against the palms on shore, bending them low,

tearing loose fronds that spin like desperate prayers.

The air turns alive,

charged,

pressing against skin with the weight of something ancient stirring.

Then the rain comes—not drops, but sheets, a sudden veil drawn hard across the world.

It hammers the waves,

merges sea and sky into one churning gray roar,

drumming on rooftops and decks with relentless rhythm.

Lightning forks inside the clouds, illuminating their cavernous depths for split seconds—

veins of fire revealing the storm’s hidden architecture—

before thunder answers,

a deep chested growl that vibrates through bone and water alike.

For a moment the Gulf belongs entirely to the tempest:

wind tearing at the crests, rain dissolving the boundary between heaven and tide,

clouds marching like slow gods across the expanse.

Then, just as fiercely, it begins to ease, leaving the air washed clean,

the surface still trembling,

and a faint silver edge of light breaking through the retreating dark

Comments

2 responses to “Bruised”

  1. This is absolutely captivating. The way you build the storm from a distant presence into something overwhelming and all-consuming is masterfully done. Every detail feels vivid and intentional, from the charged air and bending palms to the rain merging sea and sky into a single roaring force. Your descriptions create such a strong sense of atmosphere that it feels less like reading and more like witnessing the storm firsthand.

    What I really love is how you give the tempest an almost living presence, something ancient and powerful moving across with purpose. The imagery is rich without feeling excessive, and the progression from gathering darkness to the faint return of light at the end creates a beautiful sense of balance. The closing lines leave the reader with that quiet, reflective feeling that often follows a great storm. This is an immersive and evocative writing.

    It’s lovely to see you again, and wonderful to read your words.

    Liked by 1 person

    1. To have moved from reading to experiencing my work is truly humbling and inspiring. There is so much around us that can be fuel for the artistic fires that smolder inside of us. But like real fire, sometimes we need aid from the outside. Thank you for being my aid.

      Emerson tells us to contemplate the “stick of timber to the wood-cutter from the tree of the poet.” The timber in the hands of the woodcutter can only be one thing…but in the hands of the poet…it can be anything.

      Finding inspiration from the mundane means our muses are indeed limitless.

      Liked by 1 person

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